Crossroads:
an intersection of roads. This meaning is used metaphorically as a place where other things - both physical and abstract - meet.
Symbolically, the crossroads can be used as a metaphor for the afterlife.
Papa Legba, Guardian of the Crossroads
Papa Legba is the intermediary between the lwa and humanity. He stands at a spiritual crossroads and gives (or denies) permission to speak with the spirits of Guinee, and is believed to speak all human languages. He is always the first and last spirit invoked in any ceremony, because his permission is needed for any communication between mortals and the loa - he opens and closes the doorway. In Haiti, he is the great elocution, the voice of God, as it were. Legba facilitates communication, speech and understanding. In Yoruba, Ellegua is mostly associated with Papa Legba since both share the role of being the god of the crossroads, yet Legba also shares similarities to Orunmila, the orisha of prophesy who taught mankind how to use the mighty oracle Ifá.
He usually appears as an old man on a crutch or with a cane, wearing a broad brimmed straw hat and smoking a pipe, or sprinkling water. The dog is sacred to him. Because of his position as 'gate-keeper' between the worlds of the living and the mysteries he is often identified with Saint Peter who holds a comparable position in Catholic tradition. But he is also depicted in Haiti as St. Lazarus, or St. Anthony.
Burial at Crossroads
Historically, burial at crossroads was the disposal method of choice for executed criminals and suicides. A crude cross was typically erected, which gave rise to the belief that these spots were selected as the next best burying-places to consecrated ground. Actually, the ancient Teutonic peoples often built their altars at the crossroads. Human sacrifices, especially of criminals, formed part of the ritual, so these spots came to be regarded as execution grounds. Hence after the introduction of Christianity, criminals and suicides were buried at the crossroads during the night, in order to assimilate as far as possible their funeral to that of the pagans.
Superstition also played a part in the selection of crossroads in the burial of suicides. Folk belief often held such individuals could rise as some form of undead (such as a vampire), and burying them at crossroads would inhibit their ability to find and wreak havoc on their living relations and former associates.
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Play like Robert Johnson?
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"If you want to learn how to make songs yourself, you take your guitar and your go to where the road crosses that way, where a crossroads is. Get there be sure to get there just a little ' fore 12 that night so you know you'll be there. You have your guitar and be playing a piece there by yourself ... A big black man will walk up there and take your guitar and he'll tune it. And then he'll play a piece and hand it back to you. That's the way I learned to play anything I want."
Tommy Johnson
Listen to Big Road Blues by Tommy Johnson
Crossroads:
an intersection of roads. This meaning is used metaphorically as a place where other things - both physical and abstract - meet.
The Crossroads in Blues
Another interpretation of the crossroad hinted at by some blues songs is that point at which a particular road is taken in life - similar to Robert Frost's "road not taken".
Originally the blues "Crossroads" was a literal right-angle crossing of two railroads - "where the Southern cross the Dog" - in Moorhead, Mississippi. The "Southern" was a line of the Southern Railway, sold to the Columbus and Greenville Railway in 1920, and the "Dog" was the "Yellow Dog", officially the Yazoo Delta Railroad, part of the Illinois Central Railroad system after 1897. This place is mentioned in a number of blues, including the recorded works of W. C. Handy and Bessie Smith.
Legba's Veve
Papa Legba, Guardian of the Crossroads
Papa Legba is the intermediary between the lwa and humanity. He stands at a spiritual crossroads and gives (or denies) permission to speak with the spirits of Guinee, and is believed to speak all human languages. He is always the first and last spirit invoked in any ceremony, because his permission is needed for any communication between mortals and the loa - he opens and closes the doorway. In Haiti, he is the great elocution, the voice of God, as it were. Legba facilitates communication, speech and understanding. In Yoruba, Ellegua is mostly associated with Papa Legba since both share the role of being the god of the crossroads, yet Legba also shares similarities to Orunmila, the orisha of prophesy who taught mankind how to use the mighty oracle Ifá.
He usually appears as an old man on a crutch or with a cane, wearing a broad brimmed straw hat and smoking a pipe, or sprinkling water. The dog is sacred to him. Because of his position as 'gate-keeper' between the worlds of the living and the mysteries he is often identified with Saint Peter who holds a comparable position in Catholic tradition. But he is also depicted in Haiti as St. Lazarus, or St. Anthony.
See my lens Papa Legba, Gatekeeper to the Spirit World to learn more about this deity.
Papa Legba Voodoo Doll www.mysticvoodoo.com
Burial at Crossroads
Historically, burial at crossroads was the disposal method of choice for executed criminals and suicides. A crude cross was typically erected, which gave rise to the belief that these spots were selected as the next best burying-places to consecrated ground. Actually, the ancient Teutonic peoples often built their altars at the crossroads. Human sacrifices, especially of criminals, formed part of the ritual, so these spots came to be regarded as execution grounds. Hence after the introduction of Christianity, criminals and suicides were buried at the crossroads during the night, in order to assimilate as far as possible their funeral to that of the pagans.
Superstition also played a part in the selection of crossroads in the burial of suicides. Folk belief often held such individuals could rise as some form of undead (such as a vampire), and burying them at crossroads would inhibit their ability to find and wreak havoc on their living relations and former associates.
Crossroads in Folk Magic
In the folk magic of many cultures, the crossroads is a location "between the worlds" and, as such, a site where supernatural spirits can be contacted and paranormal events can take place. Symbolically, it can mean a locality where two realms touch and therefore represents liminality, a place literally "neither here nor there".
This is particularly pronounced in conjure, rootwork, and hoodoo, a form of African American magical spirituality. In conjure practice, it is said that in order to acquire facility at various manual and body skills, such as playing a musical instrument, throwing dice, or dancing, one may attend upon a crossroads a certain number of times, either at midnight or just before dawn,and one will meet a "black man," whom some call the Devil, who will bestow upon one the desired skills.
Evidence of this practice can be found in 20th century blues songs, most notably "Crossroads Blues" by Robert Johnson. Some believe Robert Johnson sang this song in regards to the deal that was made with Legba in which Johnson exchanged his soul for his extraordinary guitar skills that seemed to appear suddenly.
In the Vodou tradition, Papa Legba is the loa of crossroads. Crossroads are also very important both in Brazilian mythology (related to the headless mule, the devil, the Besta Fera and the Brazilian version of the werewolf) and religions, where it is the favorite place for the manifestation of "left-hand" entities such as Exus and where to place offerings to the Orishas
Close
Loading Workshopdrumroll please....
Report this LensOur members are instrumental in helping to keep the Squidoo neighborhood a clean, well-lighted place!
Please tell us why you're reporting this lens: Please select a reason This lens looks like spam This lens spammed me This lens has mature content and is not marked This lens spammed my Group This lens violates Squidoo's TOS
Comments:
Play like Robert Johnson?
Free Guitar Guide Reveals 47 Blues Hot Tips That Makes Robert a Legend
RobertJohnson.HowToPlayBlues.com
Arslanian Brothers
Karastan Area Rugs & Stair Runners Save Big at our Warehouse Showroom
www.ArslanianBros.com
Ads by Google
--------------------------------------------------------------------------------
"If you want to learn how to make songs yourself, you take your guitar and your go to where the road crosses that way, where a crossroads is. Get there be sure to get there just a little ' fore 12 that night so you know you'll be there. You have your guitar and be playing a piece there by yourself ... A big black man will walk up there and take your guitar and he'll tune it. And then he'll play a piece and hand it back to you. That's the way I learned to play anything I want."
Tommy Johnson
Listen to Big Road Blues by Tommy Johnson
Crossroads:
an intersection of roads. This meaning is used metaphorically as a place where other things - both physical and abstract - meet.
The Crossroads in Blues
Another interpretation of the crossroad hinted at by some blues songs is that point at which a particular road is taken in life - similar to Robert Frost's "road not taken".
Originally the blues "Crossroads" was a literal right-angle crossing of two railroads - "where the Southern cross the Dog" - in Moorhead, Mississippi. The "Southern" was a line of the Southern Railway, sold to the Columbus and Greenville Railway in 1920, and the "Dog" was the "Yellow Dog", officially the Yazoo Delta Railroad, part of the Illinois Central Railroad system after 1897. This place is mentioned in a number of blues, including the recorded works of W. C. Handy and Bessie Smith.
Legba's Veve
Papa Legba, Guardian of the Crossroads
Papa Legba is the intermediary between the lwa and humanity. He stands at a spiritual crossroads and gives (or denies) permission to speak with the spirits of Guinee, and is believed to speak all human languages. He is always the first and last spirit invoked in any ceremony, because his permission is needed for any communication between mortals and the loa - he opens and closes the doorway. In Haiti, he is the great elocution, the voice of God, as it were. Legba facilitates communication, speech and understanding. In Yoruba, Ellegua is mostly associated with Papa Legba since both share the role of being the god of the crossroads, yet Legba also shares similarities to Orunmila, the orisha of prophesy who taught mankind how to use the mighty oracle Ifá.
He usually appears as an old man on a crutch or with a cane, wearing a broad brimmed straw hat and smoking a pipe, or sprinkling water. The dog is sacred to him. Because of his position as 'gate-keeper' between the worlds of the living and the mysteries he is often identified with Saint Peter who holds a comparable position in Catholic tradition. But he is also depicted in Haiti as St. Lazarus, or St. Anthony.
See my lens Papa Legba, Gatekeeper to the Spirit World to learn more about this deity.
Papa Legba Voodoo Doll www.mysticvoodoo.com
Burial at Crossroads
Historically, burial at crossroads was the disposal method of choice for executed criminals and suicides. A crude cross was typically erected, which gave rise to the belief that these spots were selected as the next best burying-places to consecrated ground. Actually, the ancient Teutonic peoples often built their altars at the crossroads. Human sacrifices, especially of criminals, formed part of the ritual, so these spots came to be regarded as execution grounds. Hence after the introduction of Christianity, criminals and suicides were buried at the crossroads during the night, in order to assimilate as far as possible their funeral to that of the pagans.
Superstition also played a part in the selection of crossroads in the burial of suicides. Folk belief often held such individuals could rise as some form of undead (such as a vampire), and burying them at crossroads would inhibit their ability to find and wreak havoc on their living relations and former associates.
Crossroads in Folk Magic
In the folk magic of many cultures, the crossroads is a location "between the worlds" and, as such, a site where supernatural spirits can be contacted and paranormal events can take place. Symbolically, it can mean a locality where two realms touch and therefore represents liminality, a place literally "neither here nor there".
This is particularly pronounced in conjure, rootwork, and hoodoo, a form of African American magical spirituality. In conjure practice, it is said that in order to acquire facility at various manual and body skills, such as playing a musical instrument, throwing dice, or dancing, one may attend upon a crossroads a certain number of times, either at midnight or just before dawn,and one will meet a "black man," whom some call the Devil, who will bestow upon one the desired skills.
Evidence of this practice can be found in 20th century blues songs, most notably "Crossroads Blues" by Robert Johnson. Some believe Robert Johnson sang this song in regards to the deal that was made with Legba in which Johnson exchanged his soul for his extraordinary guitar skills that seemed to appear suddenly.
In the Vodou tradition, Papa Legba is the loa of crossroads. Crossroads are also very important both in Brazilian mythology (related to the headless mule, the devil, the Besta Fera and the Brazilian version of the werewolf) and religions, where it is the favorite place for the manifestation of "left-hand" entities such as Exus and where to place offerings to the Orishas.
What do you think?
a%3A3%3A%7Bs%3A7%3A%22options%22%3Bs%3A81%3A%22666d77bbeab66186fa4d417f359d2f7c%2CLegba%2C765fd59a2c6f869cb86e9e179c007315%2CThe+Devil%22%3Bs%3A6%3A%22period%22%3Bs%3A2%3A%2260%22%3Bs%3A8%3A%22question%22%3Bs%3A71%3A%22Is+it+the+Devil+or+Legba+who+makes+deals+with+guitar+virtuoso+wannabes%3F%22%3B%7D
Is it the Devil or Legba who makes deals with guitar virtuoso wannabes?
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Where the Southern Cross meets the Yellow Dog http://www.bluessource.com
Eshu, Yoruban God of the Crossroads
Eshu (other names include Exú, Elegua and Elegba) is an Orisha, and one of the most important deities of the Yoruba mythology, as well as Santeria/Lukumi and Candomble traditions.
Exu is the protector of travelers, god of the crossroads, the deity with the power over fortune and misfortune, and the personification of death. Every religious ceremony or ritual begins with an offering to Eshu; failure to do so guarantees failure in the intent of the ceremony.
Eshu is revered within the Orisa-Ifá system of the Yoruba as well as in African diasporic faiths like Santeria/Lukumi and Candomble developed by the descendants of enslaved West Africans in the Americas, where Eshu was sometimes identified with Saint Anthony or Saint Michael, depending on the situation. He is identified by the colors red and black, or black and white and his caminos, or paths are often represented carrying a cane, shepherd's crook, as well as a pipe. Eshu is a trickster-god, and plays frequently tempting choices for the purpose of causing maturation. He is a difficult teacher, but a good one.
Eleggua: Ellegua is another name used among Lukumi for Eshu.
In Yorubaland, Esu is an energy that rose out of the Yangi (sacred red rock) and allows people to communicate with the Irunmole, Orisa, Orunmila, and so on. Is the oldest Esu. Also important in the African diaspora. All Esu live in consecrated sacred rocks.
Goddess of the Crossroads
Hecate was originally a goddess of the wilderness and childbirth, but eventually became known as the goddess of sorcery and the "Queen of Ghosts". Today she is often seen as a goddess of witchcraft and Wicca.
Hecate had a special role at three-way crossroads, where the Greeks set poles with masks of each of her heads facing in different directions.
The crossroad aspect of Hecate stems from her original sphere as a goddess of the wilderness and untamed areas. This led to sacrifice to assure safe travel into these areas.
Hecate is the Greek version of Trivia "the three ways" in Roman mythology. She was the goddess who appeared most often in magical texts such as the Greek Magical Papyri and curse tablets, along with Hermes.
Artemis of the Crossroads
In Greek mythology, Artemis was the daughter of Zeus and Leto, and the twin sister of Apollo. She was a widely venerated deity, worshiped as the goddess of forests and hills, the huntress, and goddess of the crossroads. Artemis was often depicted carrying a bow and arrows, and later, with a crescent moon on her head as the moon goddess, Luna. The deer and the cypress were sacred to her. In later, Hellenistic times she assumed the ancient role of Eileithyia in aiding childbirth.
Artemis became goddess of the crossroads when she assimilated Hecate during the Classical period in Athens.
by voodoomama
there are many links to follow in this article. here is the website this came from:
http://www.squidoo.com/crossroads-legend
Legends of the Crossroads
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